Social Media? I Do Not Think It Means What You Think It Means

In the debate over whether Scorched.TV really is social media, I was reminded of this line from one of my favourite movies, The Princess Bride.

Not content with taking Channel 9’s word for it, I decided to check out the Scorched.TV site and upload a video of my own. Unfortunately, even when I follow the directions provided by the "EP of CPN" (that is, the executive producer of a fictional news network), the best I could do was to send them an email with my story idea. This is hardly social media.

Social media is relatively simple … and it looks like the slide below. The way this plays out, however, is complicated — and is most articulately explained in Michael Wesch’s definition of "context collapse" which I talked about here. The defining feature, however, is participation of "users", or "consumers" or "people like me". And until you have those folks involved, creating, changing, mashing and even destroying, then in my book, you don’t have social media.

Simple Social Media

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Ad Guru Taps Into Young Minds

PaulMcEnany-AdGuru Despite the ongoing questioning about the relevance of "traditional media" in a fragmented Age of Conversation, there is no doubt that a blogger being featured in the mainstream media is still a novelty. For while reports and analysis continue to point towards social media reaching a tipping point, there is clearly a way to go before most of us reach the level of respect and authority that is wielded by the intern writing in the local community newsletter.

However, as the passionate and articulate Gen Y begin storming the cubicles and marching every onwards towards the corner offices, it is clear that brands and the businesses behind them are in for a rough decade of transition. No longer can they rely on a form of skull and cross-bones brand promise — interaction and engagement must go well beyond a simple raising of the flag.

Paul McEnany, the brain behind Hee-Haw Marketing, was interviewed in his local Dallas Morning News. When asked what is the biggest mistake companies make in dealing with Gen Y, he responds:

The biggest mistake is to assume that they give a crap about you. This is true across all demographics, but maybe more pronounced or obvious in the younger segment. This group has grown up with total control of their media environment, advertising included, and too many [companies] think they can just stroll in with screeching guitars while adding "for your generation" to the end of a tagline and expect that to connect.

This is echoed in Paul Den’s commentary on the banking industry:

Where all banking and finance [brands] … FAIL is that they lack the ability to resonate with my generation … I’m with NAB – not because I’ve been saturated with advertising, but because my mates recommended their Student Saver program when I was at uni. More often then not, especially with financed related products, we seek influence from our friends, family, work colleagues etc.

With a fragmentation of both media and influence, those brands wanting to reach, engage, hire and retain those born after 1980 are going to have to deal with the complexities and demands of Gen Y. And, to be honest, with an almost 1:1 ratio of Gen Y entering the workforce as the Baby Boomers retire, there is no choice if you want to thrive and survive. The challenge for brands is now to seek out those advisors, consultants and agencies that can help navigate this complex landscape.

Transmedia vs Social Media

It is the year 2012. Warragamba Dam, which supplies Sydney with fresh water has now reached critical levels, holding only 15% of its capacity — and the city has been placed on Level 8 water restrictions. Country towns, meanwhile, are struggling to survive.

This is the setting for Channel 9/NineMSN’s new drama series, Scorched. Gordon Whitehead has an excellent post explaining the digital strategy that has been put into place to support the series and to transform it into an immersive online experience. But he also asks, "is this social media?" — provoking some interesting discussion with Craig Wilson. After taking a look at the Scorched.TV site, there seems to be quite some distance between the stated aim of allowing users to contribute content and the activation which requires you to send your ideas for video submission via email/form.

Perhaps it is still early days, and the social media strategy is yet to kick in. However, there is clearly some good thinking around transmedia digital strategy in place, or what Faris Yakob calls "converged communication" (see below). But with an airing date of August 31, Scorched have only a couple of weeks to begin really building and activating their viewing community. And if the plan is to extend the storylines into web-only episodes post-August 31, the success (or otherwise) of this effort will be available for us all to see. The clock is ticking …

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Tiptoe Through Your Digital Tulips

In a digitally-connected world, our past may no longer be "ours". With sites like the WayBackMachine and Google’s great caching engine, our own words and the words of others ABOUT us will live long into the future. Add to this the "handles", user IDs, profiles and so on that we create in the various courses of our lives — from Facebook to Twitter, Flickr and even dating sites — and we can amass a digital footprint that extends well past the bounds of public/private and into the deeply personal.

But how might this play out for a baby? Or for, say, my nephew who is 10 years old? What is out there and how will all this data affect the relationships that he has in the future? What about his first job? His first date? Or his twentieth? What about the photos taken by his family and friends? Who sees what and who "owns" what is shown?

This video produced by Kanupriya Tewari for the Berkman Centre for Internet and Society’s Digital Natives Project shows how all this may play out for a newborn (hat tip to Katie Chatfield). But watch the video, then read this account of a first date gone wrong.

There are lessons here for brands as well. Clearly, with 78% of consumers trusting the purchase advice of friends or even networked acquaintances over advertising, it pays to at least monitor the conversations that are ALREADY taking place about your products/services. And while, yes, consumers have always spoken about and discussed the brands that they love and hate, in this Age of Conversation, these sentiments are captured, stored and immediately available well into the future.

Social media may look like a tulip field, but it is, in fact, a whole new way of playing and participating. Tiptoe with care!

Social Media = Consumer Terrorism?

With the emergence of self-organising groups such as the Social Media Club, Planning for Good and even Interesting South, is it any wonder that the peak bodies that represent the media, advertising and digital services are feeling under pressure? Often these bodies only provide services and membership to corporations, not individuals — which does not take into account the sweeping changes in the nature of work in these areas. After all, with the vast array of easy-to-use tools, we can all now publish, broadcast and market to a worldwide audience. It seems anachronistic for these industry bodies to not recognise and adapt to the changes that characterise the industries they represent.

The Job can be dangerous!And while bloggers such as Laurel Papworth have taken a swipe at Australia’s AIMIA and Gordon Whitehead has questioned the value of the Australian Marketing Institute, it is clear that there is a disconnect between those who represent the industry, and those who make it up (see also the debate hosted by MarketingMag). But the situation here in Australia compares favourably with the state of play in Belgium.

Kris Hoet’s popular blog, ‘crossthebreeze, builds on the conversation surrounding the Belgian Direct Marketing group’s upcoming conference — Revenge of the I. Roughly translated (by Kris), the email announcing the conference states:

“During the congress we’ll deepdive into the current era of ‘consumer terrorism’ that is coming up with the rise of digital and social technologies such as blogs, social networks and email.”

As Kris points out, not only does this remind brands and companies to treat consumers with suspicion, it sets up an artificial divide between the "traditional" and "new media" camps. Branding and marketing is no longer something that is forced upon consumers (if it ever was). After all, it is easy enough to simply click away, delete the email or fast forward through the advertising. The POWER disparity between brands and consumers has been eroding for years — and it is time that all parties — brands, industry bodies, practitioners and even consumers (yes, yes invite them in) began to collaborate to find suitable solutions that deliver value all round.

Yes, it is time to join the conversation. It is already happening. You start by listening.

Questions from the Minds of MBAs


Dennis Price
Originally uploaded by Truus, Bob & Jan too!

A couple of times a year I get a call from Dennis Price. Not the movie star shown here, but the blogger, retail guru and course director of the Macquarie Graduate School of Management’s MBA program. Each time I go along and talk about Web 2.0, social media and the Age of Conversation. I always aim to provide as much of an overview as possible — and then use the Age of Conversation as a case study for how the tools can allow conversations, communities, brands and consumers to come together. This can be challenging with only an hour or so available.

When I first went along, I spent quite some time explaining technology. The students in general were not participating in any form of social media. That meant that my focus would shift to explaining the applications and their use. This situation did not change much when I returned in the following semesters.

Today, however, I was pleasantly surprised that the students had a strong understanding of many of the social media tools available. Many were under heavy use.

In about a year and a half, the students who participate in this prestigious MBA program and who will move into leadership positions across the business spectrum in the coming years, are already demonstrating a sound understanding of social media. For these folks, it is not something foreign or indescribable. It is tangible and already a part of the fabric of their lives.

Not only that, the questions that were asked also got me thinking. There was some serious questions around the following topics (feel free to chime in with answers):

Business models
What is the business model for Web 2.0 businesses? Is it reliant only on advertising? Is valuation based on potential advertising revenue or is there something more to it? Do all business start-up to sell?

Personal relationships
Is the Internet or social media damaging our personal relationships? Is there something out of balance when families spend more time, individualised and participating with their "networks" and not with each other?

Group dynamics
Does group dynamics inhibit innovation or growth?

What is the future?
Where does all this technology, all this community etc go next? How is/will this change us?

How do individuals make money doing this?
While it seems that start-ups can make money, what about individuals? Is there a personal business model?

Now, I am looking forward to the next round … and wondering what the audience will have in store for me. And the best part about it, is that I learn something new each time.

The End of Channel Marketing

In this interesting post, Nic Hodges asks why aren’t we creating great digital work. By this, I think he may be referring specifically to the Australian advertising industry (but I could be wrong) — for there are certainly some excellent digitally-driven campaigns and case studies available for other markets. Nic discusses three issues around producing truly integrated work — lack of skills/knowledge, difficulty in convincing/educating clients, and a lack of process surrounding the integration of digital into an overarching campaign. He explains:

The fundamental idea that underpins these issues is that digital is a channel. Radio was a new channel. Television was a new channel. Digital is not a new channel, digital is a new world. It is an evolution of media that has taken with it the advertising industry. It is an evolution that, in the relatively short history of advertising, has not happened before.

This got me thinking. Perhaps the challenge that we are facing is not one of channels, nor of integration. I have a feeling that we are approaching this from the wrong direction — from the agency, or from the brand out — and maybe it would profit us to think in the other direction. I made the comment that:

We need to look at the nuances of the traditional channels and then think about how best we can amplify, enable and transform the experiences that consumers have with brands.

With a clear shift away from passive interaction with brands, messages and advertising and a growing adoption of social networks/media, user generated content and experiences that extend from the second to the third screen, the role of the digital strategist will necessarily move from the margin to the hub of campaign planning. This is not to downplay the role of the traditional or even the channel planner. But, in the near future (ok, now), brands need to be reaching and inviting us all to participate in ways that deprioritise the channels that favour one-way communications — opting instead for digitally-enabled experiences that blur the boundaries, amplify the stories and activate our engagement in polyphonic conversational structures. It’s time to stop looking through the channel and start listening to the conversations that are already ringing in our ears.

YouTube and the Context of “Being Social”

When it comes to understanding the impact of digital media on the way we live our lives, there are few who dig as deeply as Michael Wesch. This is a recording of his speech at the US Library of Congress in June. And while the presentation starts off with some impressive statistics about the number of videos uploaded to YouTube (9,232 hours per day — 88% of which is original), the fascinating aspect of this presentation is the focus on story. In his own words:

… that is the story of the numbers and this is really a story about new forms of expression and new forms of community and new forms of identity emerging.

For the following 45 minutes or so, Michael Wesch leads us through a discussion on the way in which digital media is celebrating and connecting people in entirely new forms of shared experience. He starts with Numa Numa and his famous The Machine is Us/ing Us. Interestingly, the latter was initially launched the Wednesday before Superbowl Sunday — and as he had quickly reached an audience of over 200 people he sent a screen shot to the head of school for his permanent record. By Saturday the audience had grown to over 1100 viewings and the video had been posted on Digg. As you probably know, this video has at current count, around 5 million views.

As an anthropologist, Michael Wesch is providing a fascinating analysis of the shifts in society and culture that are already underway. In this video he shows how user generated content + user generated filtering + user generated distribution is reinventing the way in which we create, find and share branded and unbranded material via the web. This potent mix is ignited with a final piece, which Michael calls "user generated commentary" — ie blogs — however, I feel this is better represented as user generated CONTEXT. When blog authors share content with their readers, they create a context into which the content becomes more accessible and digestible for their particular audience. It is this final piece which is an essential part of any digital strategy. I fully recommend setting aside an hour to watch this presentation through, however, if you have limited time, I have written my thoughts below.

About 12 minutes into the presentation, Michael turns his attention to the media. Here he talks about the media not as technology but as a system through which human relations are mediated. This is given more context by showcasing the way that remixing and remastering videos allows others to participate in a video meme (eg Charlie Bit My Finger and its 100+ responses). Clearly this is not just about claiming 15 seconds of fame. This type of participation goes to the very heart of the P-L-A-Y (P-ower, L-earning, A-dventure, Y-elp of surprise), delivering an experience that crosses the chasm that is imposed upon us by culture, geography, suburbia and even the isolating experience of TV viewing.

But the experience of this is dislocating. At 23 minutes, Michael explains "context collapse" which is what happens when we first begin to "participate". For example, think back to the first time that you wrote a blog post, think about your first comment on another’s blog. By participating in this way, you release your thoughts into an environment in which you have no context. You don’t know how it will be read or understood, nor where or when. You don’t even necessarily "know" your reader. Now, apply this same thinking to video. You are "speaking" or "presenting" to a small webcam, not a person. Well, not yet anyway. The human interaction is delayed, mediated, spread across time and space. It takes time for "participants" to become used to this new mode of delayed being. It is, perhaps, why the easiest way to understand blogging is to participate.

At around the thirty minute point, Michael walks us through the topic of cultural inversion. This describes the tension that we (in a cultural sense) experience as participants. On the one hand we express individualism, independence and a keen commercialism while desiring community and relationships within an authentic context. YouTube, and to a certain extent, other social media, allow us to experience this tension as a deep connection with others without the responsibility that comes with close, personal relations. It strikes me that by adding a third party into this equation, for example, a "good cause" like a charity, you are able to move quickly from this state of mediated connection to "community actualisation" (thinkng a community version of maslow’s hierarchy of needs).

But what happens when this is "gamed"? Michael explores YouTube’s authenticity crisis about 36 minutes in, using EmoKid21Ohio and LonelyGirl15 as examples. Ten minutes later the topic of copyright is broached (any remixing is basically illegal). Using a clip from Lawrence Lessig’s TED talk, the challenge is contextualised — the culture has moved on and the law is struggling to recontextualise its own relevance:

You can’t kill the instant the technology produces, we can only criminalize it. We can’t stop our kids from using it, we can only drive it underground. We can’t make our kids passive again, we can only make them "pirates" … and is that good?

We live in … an age of prohibitions where many areas of our life, we live life constantly against the law, ordinary people live life against the law … and that realization is extraordinarily corrosive, extraordinarily corrupting, and in a democracy we ought to be able to do better.

The presentation is wrapped up by video quoting bnessel1973:

Some people say that the videos we create on YouTube should be created in hopes to change the world. I have made mine to help me live in it.

Lazy Blogging

Study of Kitten By WindowlightThis week marks the six month anniversary (is there such a thing?) of the Aussie Bloggers blog and forum (congrats!). In this time, the community has gone from strength to strength — with over 700 members and a whopping 33,000 posts.

As a special gift to the thriving community, an indispensable blogging tool has been developed to help overcome those blogging-block days — the Lazy Bloggers Blog Post Generator. Here is a blog post that comes direct from the generator:

OMG! I just remembered I have not updated this since Paris Hilton was in jail… You would not believe my anguish at my misdoings. Jealous much? Don’t be, it was very painful..
I am frantic with an awfully big adventure, soaking in the tub, just generally being a Darling to the servants, my day is full to overflowing from when the nightclubs close to I run out of alcohol. I am happy with that. I need some perspective.
I solemnly swear to post at least once a month. Promise! Unless of course the pool with the cocktail bar is heated!

A Man’s Got to Do What a Man’s Got to Do

DrhorribleBeing a lover of good storytelling I live a life of disappointment between the hours of 8pm to midnight. With a vast array of low-rent, poorly executed television, there is little wonder that I turn my attention to the plethora of quality (and low-rent) content available online. And while I am sometimes appalled by what I see online, I have the control to simply move quickly to something that at least offers the promise of an engaging storyline, believable characters or even a toe-tapping number or two.

And given that Josh Whedon, the master storyteller behind the Buffy the Vampire Slayer, Angel and Firefly series has just released a new series, there was reason to hope. But where can one find this? I scoured the TV guides only to be beaten into a dull submission by old formats and "celebrity talent". At last I turned to Twitter to find salvation — and it came to me in the shape of something horrible. Dr Horrible.

That’s right. Josh Whedon’s newest series is available exclusively online. You can watch it streaming via the innovative Hulu format or download via iTunes. And at 15 minutes an episode, if it doesn’t capture your attention, you haven’t wasted your valuable time — quality content is only a click away. Just a shame they didn’t add interactive channels to the format.

But, it just makes me wonder about the future of media. And the future of brands. And it seems, the answer is the same. Content. How else do you think you will attract the slim attention of audience 2.0? Time to stop reading and start participating.