Community, Trust and Social Judgement

Mark Pollard shares this excellent presentation given to the IgniteSydney crowd recently. In it, Mark talks about his experience of running a large, interesting, and influential website, Stealth Magazine … well, it started out as a magazine, but is really a meeting place – a community – for hip hop. Since 2002 there have been 128,000 posts, 11,000 topics and almost 2000 members. Clearly this is a vibrant (and viable) website – and in this presentation, he shares his Seven Things to be Learned from Hip Hop. You can read through the background notes here.

What was particularly interesting to me was Mark’s conception of community – and his point that “anonymity is the antithesis of community”. This,in turn, generated some debate with Julian Cole and Matt Moore driving alternative points of view. Of course, like any definition, “community” is also hard to pin down.

My interest in community is mostly around the way that communities move (and can be moved) in relation to human behaviour. Whether we know it or not, almost every interaction we have with another person leaves a trace of our identity. Think Gattaca on a physical level and think language/nuance on an emotional level. Think style in terms of our visual footprint. The thing is, we are pre-programmed to be social – so we betray ourselves even with our best attempts at subterfuge. And for all the chaos and noise of our daily lives, it is remarkably easy to find the holes in “fake identities” only because it is incredibly difficult to be consistently somebody else. And this was made abundantly clear to me recently when I was the subject of an experiment in chaos, courtesy of Marcus Brown.


Taking a lead from this speech by Heath Ledger as the Joker, flipped a coin and decided to unleash a little chaos. On me/my site. It appeared that he had learned of some flaw in Feedburner that opened a door … or so he claimed, and I was being singled out as “Mr Age of Conversation” – yet another . But he paused before moving ahead. He published a poll asking whether chaos should be directed at me, or at his own site. He gave us a choice. By coincidence, this all happened during a week when I was disconnected – on holiday and with very limited Internet access … so I did not really know what would happen and what the outcome would be.

I waited for the votes to come in. I checked my email each couple of days, but could not see much action. I visited Marcus’ site a couple of times but the voting looked pretty close. Eventually, the votes were counted. I had received an enormous number of votes – and I thank everyone who supported me. As Marcus explains:

People will do anything to save Gavin Heaton. What surprised me most was how devious they were about doing it. I know for a fact that most of the people (there were about 700 of them) came into vote off the back of an email. It was brilliant to watch because they were keeping so quiet. There were only a couple of tweets about it and the volume was very low. It was fascinating to watch.

Chaoscurrencyvoting  

What Marcus was watching via voting patterns combined with web analytics, was the activation of a community. But more interestingly, it was a swift and directed course of action set in train by a single request (as Marcus explains, most voting was triggered off the back of a single email – sent not by me). And this is where community comes into play. While the “network” could have been used – such as Twitter or a blog post – that sort of open dynamic can also invite additional chaos and randomness into the mix. That means, that for every positive response (on my behalf), there could well have been additional random responses which could go either way.

In my view, community is about belonging. It is about the actions and interactions over time which build a web of mutually reinforcing reputations. These repeated patterns of micro interactions allow us to create a “social judgement” about the people with whom we interact – even if we don’t know their names, we know them by the traces left in the consistency of their actions, in-actions and communications. I was “saved” from chaos by the orchestrated mobilising of a community to which I belonged – by the people in whom I had established a bond. And at the heart of this, at the very centre, was trust. As Valdis Krebs explains:

… people are loyal to what they are connected to and what provides them benefits. People stick with established ties they trust. Interacting with those we know and trust brings a sense of warmth and belonging to the virtual communities we visit via our computer screens.

By activating a community (rather than a network), response could be directed.

As I have said before, Marcus is one of the foremost practitioners of social media creation. He inhabits and creates a storyline like no one else I know, and activates it with an intensity that turns our gaze around on ourselves – making us ask the question – will he do it … or will I? That is, he forces us into a state where non-participation is also an act of engagement.

When I read the lead-up posts on Marcus’ blog, I was wondering who he was targeting. But by the end of the first post, I had an inkling that he was talking about me. There were clues scattered throughout that were pointing in my direction. And yet, even when he did announce that I was the target, it still sent a shiver down my spine. My intuition had read the signs, but I had not yet comprehended this – I was caught by the story, and had not yet brought it into my real world. But I was reading superficially. I was reading what was SAID, not what was MEANT. I was ignoring the mind reader’s toolkit.

What does this all mean?

Clearly “authenticity” is hard to fake – but we ARE easily swayed by a compelling story. It’s why headlines work so well – they set the parameters for the narrative that follows. For in the story – and in this case -  a live unfolding of events, we are in-effect practising SOCIAL JUDGEMENT. And while, in real life, we are able to use a variety of cues to determine the trustworthiness of certain situations and/or individuals, in an online environment, we are still finding our way. As David Armano asks, do you know who you are talking to?

The thing to remember, however, is that trust trumps story.

On reflection, I realise that over the last few years I had followed, almost to the letter, each of Mark Pollard’s seven steps … but it was the last THREE steps (pass the mic, let the community self-regulate, get off the computer) that were the catalysts for action. And this is important – because my interest is in driving behaviour and creating the conditions for participation.

And as we move into the meat of 2009, and your marketing plans firm (or shrink), I want you to consider this. Think about how “social” your media plans will be. Think about the directions you want to move and how you want to get there. Determine the conditions through which you can create social judgement. And most importantly, ask yourself – who do you trust – and who trusts you?

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Sol Trujillo as a Mo Bro

sol4_lowres Each year, around this time, the buzz starts building. There are a couple of emails and then maybe a couple of messages via Twitter. Men across the country start twitching their noses and scratching their faces. Each of us wonder — “can I do it again”. But sure enough, come November 1, the signs are obvious.   

Days later, even a casual walk down the street will yield telltale signs. Five o’clock shadow yields to three day growth. Rough, sprouts give way to more a more fecund appearance … and the men, united in this cause, knowingly nod acknowledgement to each other. For during this month every year, we are no longer disengaged, disconnected or disinterested. We are all citizens of the Republic of Movember.

During November, two charities push to raise awareness around men’s health – prostate cancer and depression. Men across the country are encouraged to cleanly shave their faces and grow a moustache for charity. You can raise funds individually or as part of a team, with the funds raised going to the Prostate Cancer Foundation of Australia and BeyondBlue.

I have now been involved in Movember for the past three years. Not only do I believe in supporting these causes, I am a great fan of the strategic approach that the Movember team take to participation – for during this month I am not just “another guy growing a mo” – I am a “mo bro” (I have joined Jye’s team here). That’s right, I become part of a community (a republic no less), I join or establish a team, and I make an individual contribution to worthy causes. And importantly, it brings a sense of play and enjoyment into the world (something that I think is essential for the future of brands).

In recent weeks, we have seen a number of Australian brands begin seriously investigating social media (with mixed success). Causes such as Movember can be excellent vehicles for “humanising” your brands … and all you need to do is participate. How might this work?

Let’s take one of the country’s most notable moustached business leaders … Sol Trujillo. What sort of momentum and interest would Sol’s participation drive in Movember? How many Telstra employees would also register for the internal team? How much positive PR and buzz would this create? And how would this transform the way that YOU and the customers of Telstra think about Australia’s largest telco?

For brands wanting to engage with social media, the first step is to listen. The second is to participate. Is anyone listening? Is that a hand I see raised? I would love to think so.

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Do Good on Blog Action Day

Are you new to social media? Does it feel confusing? Fast? Alien?

When you step into the social media world, you certainly are entering a new domain and a new way of understanding the way that we PARTICIPATE in our local and global communities. I don’t mean the veiled participation of global democracies. I mean, real me-and-you participation … working together to CHANGE what already is into something we WANT it to be.

This is a fundamental change in the role of the individual. It is tribal, but tribal by association. We can choose where we belong. We can mark ourselves as participants simply by doing … and indeed, one of the hallmarks of social media is the collapsing of thought and action. In this brave new world, words (while powerful) fade in comparison to actions. Our measurement, our worth, our standing in the world is determined not by what we write, but by what we do. And Blog Action Day is a great example.

October 15 is Blog Action Day, a non-profit event that aims for mass participation around a single theme. This year, the focus is on poverty and there is much that you can do to raise awareness and contribute to this global movement: 

  • You can make a loan and change a life by investing in an entrepreneur’s business through Kiva   
  • Visit BlogActionDay.org, register and contribute to the movement by writing a blog post
  • Read other Blog Action Day posts, comment on them and help build momentum

But if you are closer to Sydney and you want to make a tangible difference to the lives of others, consider attending the Article Thirty-Nine Concert in Sydney next month. Tickets are now available, and there are some great bands donating their time and talent in support of child soldiers.

 

 

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It’s Not Time to Cut Through But to Cut Out

As I have grown older, I have been amazed to realise that the more I know, the greater is my capacity to learn. Not only can I quickly absorb new information and transform it into knowledge, I can also direct this towards business and branding opportunities. Even where I come in contact with some completely foreign information, my brain scrambles to find a connection that allows me to contextualise it.

But what about you? Do you find that your capacity has increased over time?

Angela Maiers provides a great explanation in this 30 minute class. She leads us through the different types of connections that we can make so that our memories can be stimulated:   

  • Easy – the simple connection can be made because of our exposure to a topic. There is no work involved here. A common topic will add a new layer over the knowledge schema that we already possess – and the information will be readily accessible to you in an instant.
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  • Dig – while a piece of information may not have an instantly recognisable hook on which you can make a connection, a small amount of digging into your own knowledge will help you. This will require some effort, but will also help turn a piece of new information into actionable knowledge.
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  • Impossible – when we are introduced to an alien concept, we are faced with an impossible situation. There are no EASY ways to make sense of the information. Digging provides no context and no prism for understanding. When faced with the impossible piece of information, our natural instinct is to begin to memorise, to rote learn – but this is a mistake, for without providing some personal context to this information you will not be able to retain and apply this knowledge. It will gradually fade from memory.

In the last 10 minutes of this video, Angela shares an approach that allows us to begin creating NEW memories. She explains the technique for creating the first thread of retained knowledge upon which you can build additional context.   

     

  • Chunking: After reading/absorbing a piece of information, the main ideas are categorised by the ideas that they invoke. This is not about collecting facts. It is about finding one or two words that connect and explain the overall concepts.
  • Joining the dots: Once you have the “big ideas” you then need to make connections between them. You need to write them down. You need to establish a narrative between them.

Now, think about this from a branding and marketing perspective. Have you ever wondered why some things stick and some don’t? In general, the information that comes to us through advertising is “impossible”. We are hit by facts and assaulted by images. These all seek to CONVINCE us.

However, if we are each subjected to 5000 marketing messages per day, the blink of an eye that acknowledges each new message will instantly erase the previous one. This means that those marketing messages that are mediated, that come with BUILT-IN context, are more likely to anchor in our memory (hence the use of popular music/spokespersons) – and this plays particularly strongly for digital/social media.

And in a time of increasing financial uncertainty, brands will be looking not to CUT THROUGH but to CUT OUT. It won’t be a matter of your brand standing out in a crowd, but of eeking out some space in which it can create meaningful context in which your consumers can participate. Those brands who have begun experimenting with social media will have an advantage in these tougher times; and those who have not will need to accelerate their engagement by hiring agencies and consultants who have a deep understanding of hands-on brand activation in the digital/social media space.

Interesting times? Sure … but really, as Angela Maiers says, it’s about making connections.

Social Media Saturation Sees the Rise of the Business Designer

While we continue to see cycle after cycle of new applications and services arrive in the Web 2.0 space, it seems for the most part that we are seeing incremental innovation. This type of innovation builds a new step on top of an existing innovation.

yea, i look good in a suitWe are also reaching a certain maturity in the way that marketers work with social media. There are now case studies on the effectiveness of social media, there are tools that help us measure and react to conversations and there are an increasing number of corporate roles for "community managers" or even "directors of social media".

So where does innovation go?

In this environment, the focus is no longer on learning the tools, but on refining the way that we interact with them. It is about bringing social media into our businesses, integrating it with our other marketing efforts and focusing efforts in a way that deliver business results. This will see ongoing debates about "where" social media belongs — PR, corporate communications, marketing, customer support, innovation etc — as well as a scramble amongst agencies to deliver "social media services" to clients.

It will also see a rise in the importance of the "Business Designer".

The MillionaireThe Business Designer does not sit in a creative studio. Rather, she operates across business units — touching marketing, customer service and new product design. The BD has a finger on the pulse of finance and lives cheek-by-jowl with the legal team. There is the touch of the management consultant in the way that the BD navigates the org chart — but also the fervour of the evangelist. She may be T-shaped. She may be a green egg. But above all, she is an experienced business professional. That’s right — she knows how to get things done.

standing outSocial media saturation is not going to kill innovation in the Web 2.0 world. It is simply going to commence the heavy lifting required to move social media with all its benefits, some of its quirks and much of its energy into the "enterprise space". The BD will perform the important role of "change manager" or perhaps "transformation manager" — for the domino-like changes that will occur in every facet of a business will change the nature of the enterprise. What has been rough and ready in the consumer space will become refined and repeatable in the business world for the BD will select and orchestrate the practices, tools and approaches that correspond with a company’s business strategy. Of course, this will breed a whole new round of innovation in the technology space — we have already begun to see this with Yammer, the business version of Twitter.

And there will be a corresponding transformation in the process of business, and the goals and approaches of groups charged with managing brand touch points. This goes without saying.

But by far, the most radical transformation will be the one thrust upon us by the generational change that is now under way. With 60 million baby boomers about to be replaced by 60 million Millennials, the workplace will never be the same again. Managing the "knowledge transfer" that needs to take place over the next 5-10 years will be a fundamental responsibility of the Business Designer.

Time for a Little Style

When Sara Goldstein, aka the Bargain Queen, bundled up her house, her laptop and Mr BQ to take on one of the fashion capitals of the world, the Australian blogging community became a lot quieter. After all, Sara had been instrumental in bringing a wide range of disparate groups together for drinks and discussion. With her mascot pink pig in tow, we made the Arthouse Hotel in Sydney a regular home away from the keyboard — at least for a while.

But since moving to New York, Sara has been anything but idle. She has been busily laying plans for global domination. Here is the pilot for Sara’s Style Spice show for the Wardrobe Channel — I am looking forward to seeing more of this style of web based programming in the future. In the meantime, Sara is sure to be learning plenty out there on the frontier.

YouTube and the Context of “Being Social”

When it comes to understanding the impact of digital media on the way we live our lives, there are few who dig as deeply as Michael Wesch. This is a recording of his speech at the US Library of Congress in June. And while the presentation starts off with some impressive statistics about the number of videos uploaded to YouTube (9,232 hours per day — 88% of which is original), the fascinating aspect of this presentation is the focus on story. In his own words:

… that is the story of the numbers and this is really a story about new forms of expression and new forms of community and new forms of identity emerging.

For the following 45 minutes or so, Michael Wesch leads us through a discussion on the way in which digital media is celebrating and connecting people in entirely new forms of shared experience. He starts with Numa Numa and his famous The Machine is Us/ing Us. Interestingly, the latter was initially launched the Wednesday before Superbowl Sunday — and as he had quickly reached an audience of over 200 people he sent a screen shot to the head of school for his permanent record. By Saturday the audience had grown to over 1100 viewings and the video had been posted on Digg. As you probably know, this video has at current count, around 5 million views.

As an anthropologist, Michael Wesch is providing a fascinating analysis of the shifts in society and culture that are already underway. In this video he shows how user generated content + user generated filtering + user generated distribution is reinventing the way in which we create, find and share branded and unbranded material via the web. This potent mix is ignited with a final piece, which Michael calls "user generated commentary" — ie blogs — however, I feel this is better represented as user generated CONTEXT. When blog authors share content with their readers, they create a context into which the content becomes more accessible and digestible for their particular audience. It is this final piece which is an essential part of any digital strategy. I fully recommend setting aside an hour to watch this presentation through, however, if you have limited time, I have written my thoughts below.

About 12 minutes into the presentation, Michael turns his attention to the media. Here he talks about the media not as technology but as a system through which human relations are mediated. This is given more context by showcasing the way that remixing and remastering videos allows others to participate in a video meme (eg Charlie Bit My Finger and its 100+ responses). Clearly this is not just about claiming 15 seconds of fame. This type of participation goes to the very heart of the P-L-A-Y (P-ower, L-earning, A-dventure, Y-elp of surprise), delivering an experience that crosses the chasm that is imposed upon us by culture, geography, suburbia and even the isolating experience of TV viewing.

But the experience of this is dislocating. At 23 minutes, Michael explains "context collapse" which is what happens when we first begin to "participate". For example, think back to the first time that you wrote a blog post, think about your first comment on another’s blog. By participating in this way, you release your thoughts into an environment in which you have no context. You don’t know how it will be read or understood, nor where or when. You don’t even necessarily "know" your reader. Now, apply this same thinking to video. You are "speaking" or "presenting" to a small webcam, not a person. Well, not yet anyway. The human interaction is delayed, mediated, spread across time and space. It takes time for "participants" to become used to this new mode of delayed being. It is, perhaps, why the easiest way to understand blogging is to participate.

At around the thirty minute point, Michael walks us through the topic of cultural inversion. This describes the tension that we (in a cultural sense) experience as participants. On the one hand we express individualism, independence and a keen commercialism while desiring community and relationships within an authentic context. YouTube, and to a certain extent, other social media, allow us to experience this tension as a deep connection with others without the responsibility that comes with close, personal relations. It strikes me that by adding a third party into this equation, for example, a "good cause" like a charity, you are able to move quickly from this state of mediated connection to "community actualisation" (thinkng a community version of maslow’s hierarchy of needs).

But what happens when this is "gamed"? Michael explores YouTube’s authenticity crisis about 36 minutes in, using EmoKid21Ohio and LonelyGirl15 as examples. Ten minutes later the topic of copyright is broached (any remixing is basically illegal). Using a clip from Lawrence Lessig’s TED talk, the challenge is contextualised — the culture has moved on and the law is struggling to recontextualise its own relevance:

You can’t kill the instant the technology produces, we can only criminalize it. We can’t stop our kids from using it, we can only drive it underground. We can’t make our kids passive again, we can only make them "pirates" … and is that good?

We live in … an age of prohibitions where many areas of our life, we live life constantly against the law, ordinary people live life against the law … and that realization is extraordinarily corrosive, extraordinarily corrupting, and in a democracy we ought to be able to do better.

The presentation is wrapped up by video quoting bnessel1973:

Some people say that the videos we create on YouTube should be created in hopes to change the world. I have made mine to help me live in it.

Why Twitter Hasn’t Cracked the Teen Market

I started this post back in February 2008 and left it for a while. I was never quite able to finish it — and it didn’t seem overly important. But in light of the recent problems with Twitter and the emergence of the shiny new Plurk, I thought I would resurrect this post and look again at the future, potential and challenges for services such as Twitter, Plurk, Jaiku and Pownce.

Nature and the MachineI remember how Twitter sped into my consciousness. It was like a freight train with a big Web 2.0 emblazoned on the locomotive. Hanging out the windows of the carriages were the smiling avatars of my marketing and social media friends. All were smiling and waving, beckoning me to climb aboard. It seemed like a no-brainer … and, in fact, it was. There was very little thought process involved — I climbed aboard because all my friends were already there.

As I explored Twitter, I started seeing my friends discussions. I realised that there were conversations going on that I wanted to be part of, that I at least wanted to LISTEN to. So I would begin to “follow” others. That meant that Twitter would notify them of my intention to eavesdrop or contribute to their discussions, and in effect this served as a virtual introduction. My pre-existing connection to others had opened the door for me.

This made me rethink my approach to Facebook and to LinkedIn. As you can probably see, up the top of my website is a badge that links to my LinkedIn profile. If you click it and want to add me to your network I don’t generally decline (in fact, I don’t think that I have ever). I am a little more selective about Facebook where I do feel that I need to know a little about you before “friending” you. But why? What was this all about … and how did it relate to Twitter?

Gradually I realised that the folks on Twitter were a whole lot less guarded about their discussions than they may be about their profiles on Facebook. And the same applied to me. That meant that it was completely acceptable to “follow” a stranger on Twitter — and in the process it opened up my personal social graph to a flood of chaos and random encounters. It felt a little dangerous … but at the heart of it was the clear understanding of my role as a creator of content. Twitter was providing the space and as a dutiful “one percenter”, I was filling it with the best content that I could muster in 140 characters. So were my one percenter colleagues. We had an unspoken contract with Twitter — and it was symbiotic — we soon needed each other, desperately.

Digging around in Twitter, however, it was clear that the user base was mature — or should I say “adult”. This seemed counter-intuitive to me, because I expected Twitter to be a walk up natural service for teens — and Andy Beal seemed to think the same in this interesting post. But for my money, the reason that teens have not been attracted to Twitter is fundamental. Surprisingly it is not about the COMMUNITY … it’s about the INTENTION.

Twitter has been able to build a community around its technology. It started with a tech friendly audience at SXSW and grew from there. It was successful at positioning itself as an APPLICATION. That meant that we were overtly aware of Twitter as a piece of enabling technology — we knew and understood that this would entail ups, downs, failures and disappointments. We were viewing Twitter as a technology — we were co-creating the Twitter community. As David Cushman says, “It is built for communities of purpose to form in a networked conversation-driven way, not for an audience to consume what they are creating”.

But such a position is anathema to a teenage audience. For them, the very act of connecting is, in itself, a creation of value. The resulting relationships and the experience that they engender is of intrinsic importance to a generation world-wise and weary of “markets”, “brands” and the emptiness of promises. There is little surprise then, that Twitter holds no appeal.

Plurk, however, is different from its core. The Plurk team view their mission as a service. They want to go “Beyond FUBU” — beyond the for us, by us mantra that permeates many start-ups. Now, whether this is true or not, it certainly appeals to Generation Y. And it seems to be something that is also tweaking the ears of an expectant Twitter community. After the recent outage furore and poor communication all round, perhaps the adults in the Twitter community are waking up to a new level of expectation and maturity — technology as service. And this may be the very reason that Plurk (or its successor) wins out long term. It is not about the technology or even the utility. It’s about the service and the experience — something the kids got long ago.

The Socially Enabled Network

Ryan and KelseyAs part of the review of the Cluetrain Manifesto ten years on, Deb Schultz gave a talk at the SAP-sponsored There’s a New Conversation series (celebrating the 10th Anniversary of the Cluetrain Manifesto). In a neat twist, she claims that we are living in an age where it not the medium that is the message, but that the medium is the relationship. That is (as I would say) in the Age of Conversation, it is increasingly NOT about the technology but the results of engaging with and using those technologies in a socially-enabled network.

Now, this doesn’t seem, on the surface, to be a shattering insight. After all, you are either reading this online or via RSS … but step back from a moment. Literally. Get up from behind your computer screen and look at the person nearest you. Look across the room. Think about how you are connected to them online. What MORE do you know about them from the way that you connect. What have you seen or read? How has this given you a deeper sense of this person. Do you trust them more or less?

What we are seeing is not the technology itself, but the surfacing of our once private networks. This means that we have a whole lot more "play" in the workplace but also a deeper understanding of our colleagues and teams.

And yet, despite all of this connection — despite the various etiquettes and common courtesies expected in the various communities to which we belong — we are still at the very early stages of understanding the real impact of all this. After all, we spend much more time TRIALLING new applications, coercing our friends to sign-up or blogging about it all to gain any real insight into HOW this is transforming the way that we live or work. Sure there will be pockets of insight, but as the services like Twitter or Pownce or Jaiku or even Plurk begin to mainstream there is a potential to radically TRANSFORM our brands, businesses and our workplaces. It is only when we see the mass adoption of some of these technologies will we begin to see real and lasting change.

And when we do, I suggest it will be far more playful than anyone expects. Or as Leigh Himel says, we will eventually "realize we are only beginning to understand how any of these technologies are impacting our lives on a daily basis". Then we can get over ourselves … and start having fun again.

That is the socially enabled network — and it is the future of your brand.

Thinking in Pictures

Agency_ecosystem2_2 As my regular readers will know, I am more of a storyteller than a visual artist. But I often find that one of the best ways of expressing my ideas will be in picture form. Unfortunately, my drawing skills are poor. Really poor. So this means finding an alternative way of working.

Where I always try to start is with the story. What is it that I am trying to get across to my audience? What is the starting point and where does the end point lie? What is the journey that we are going to take and what sights and sounds will we encounter along the way? I try to think of it as a train trip — something that has an EXPERIENTIAL element to it.

An essential aspect for me is the metaphor. What is the key theme that I want to apply … and what is the message? How do I build this up along the way? What are the rhythms I want to interject.

And once I have all this, I ask myself — is there some visual that I can use? Where can I find it? How can I bring my story with its key themes together around the visual? Normally I start with a Google image search based around my key messages. If that does not result in a winning image, I often go to Flickr and do the same. But every so often both of these great tools fail me. That is when I take a breath and think about my friends and community. I think blogs and I think Twitter. But rarely do I think Facebook.

However, when I was thinking about this post, I knew that there was an image that I wanted. I just needed to think where it was. And sure enough, I remembered. David Armano generously setup a fan page on Facebook some time ago and saved many of his well-known (and well-used) diagrams to image albums. This is one of them. Be sure to check this great resource next time you get stuck!