Guest Post: It’s Not About the Method, It’s About the Message

Over the years, one particular question is starting to become the norm. "What's our message?" Ok, I would expect this question from a small business or a startup selling something like snail-flavoured crackers. They get an idea, they are passionate about the idea, and boom, they think the next step is for us to crank out a logo or website. Unfortunately they aren't the only ones tripping over this error.

Organizations pulling in 20 million in revenue have the same question. When we are brought in, as goal-oriented graphic designers, the goal should be presented. We should be the creative outlet to communicate the message for that goal, but so many times there is no message to communicate. These companies spend their time focusing on the platform they will use to deliver the message, but not the message itself. It's like choosing a method of transportation before knowing your destination. This may have been permissible when bigger marketing budgets meant more ads plastered everywhere and more revenue, but this doesn't fly anymore.

In a new global economy consumers are harder to attract, and naturally suspicious of your motives. In this market place, simply spewing out gorgeous designs won't do; I can pay anyone with Photoshop a few bucks and get that. We need to be more emotionally and culturally sensitive. Simply jumping on Twitter and Facebook, or creating a "viral" video won't do it, these were trendy at first, but they are quickly morphing into simple distribution channels like web sites, email or texting.

Companies need to press their marketing firms, design firms and other ad teams to focus on goals. As a designer, let me caution the Marketing VPs and Communication Directors out there: Your ad campaign message needs to be established independently of the method of communication. The design should be the very last step. It's not about the method, it's about the message.


Justin Brady is the quick-witted founder of Test of Time Design in Des Moines, Iowa.  http://www.testoftimedesign.com/blog

The Future of Markets

A couple of times each year, about 4000 marketers at Fortune 1000 and Forbes Top 200 companies are surveyed about the future. This is the sixth in the series from CMOsurvey.org.

What’s encouraging to see is improvements in key business areas, including:

  • Overall optimism about the economy (while focused on the US economy, there are obvious flow-on effects for Australia and the rest of the world)
  • Customer interactions, including higher purchase volumes and better customer retention, are expected to improve
  • Broad financial and marketing KPIs are on the rise – indicating business confidence doesn’t just sit with marketing and brand
  • Marketers themselves will be in-demand with CMOs expecting to grow their teams by up to 50%

The report is very broad – which is great – but it means you will need to spend some time reading through and applying the data to your business. Think through your own strategic planning for 2011. Where are the correlations? Where are the differences? Why do they occur? Check, for example, slide 14 which investigates the top three reasons for growth strategy and see how closely they correspond to your own. Is there something you are missing? Is there something you can add to the execution of your marketing program this year? Can social media amplify this?

Most importantly, think about how your markets – your customers, partners, suppliers and other stakeholders – are moving. What are their futures. Use this information to make sure that those futures all intersect!

Five Reasons NOT to Renovate Your Bathroom with Harvey Norman

When I worked at IBM, I often heard the quote, “no one ever got fired for buying IBM”. I loved this as an idea – and still do. It neatly encompasses the robust, trustworthy status of the big blue brand. It provides customers with the promise that while the price may come at a premium, that delivery will be flawless; and it provides employees with a rallying point, something to live up to. And in my years with IBM, I saw this promise fulfilled by teams of talented people. Not only were these people experts in their field, sometimes they came close to genius.

Recently, I went through the exercise of having my bathroom renovated. Now, I like to build things in my shed, but I am far from professional. I was more than happy to turn this over to professionals. Sure it will cost, but I wanted the expertise and experience. I didn’t expect a genius, but I did expect flawless execution. I did expect them to deliver a superior customer experience.

This did not happen.

So if you are in the market for a bathroom renovation and are considering Harvey Norman Renovations, then closely read these five reasons NOT to renovate your bathroom with Harvey Norman:

  1. The sparkle ends when the contract is signed. Our designer was great. He guided us through the myriad choices and budget options. Nothing was a problem and his suggestions really did help. But once the contract is signed, you are in a whole other world. The charismatic designer is replaced by the grumpy, uncommunicative subcontractor who invades your house and sets up camp. There will be problems and a million reasons why something cannot be done – or done well. You’re in for an argument every day.
  2. Sales bait and switch. The designer will sell you a vision for your new bathroom. That’s the one that you sign up for. But the reality is quite different. Take a look at the table below to see the silver words and an explanation of what they mean.
  3. The design is the blueprint, unless it’s too much work for the contractor. If you’re like me, you will be relying on the expertise of “Harvey Norman” to complete your bathroom to the best of their abilities. You’ll be expecting them to work to the agreed design and promise. But there will be many things that just seem to be “not possible”. Where something is “not in the design” it will be classed as a “variation”, but where the design appears to involve substantial effort, work arounds will be the order of the day. Note, while Harvey Norman variations will cost you extra, your variations do not result in a discount. It’s amazing what can actually be done if you push hard enough, but then again, it’s another argument that you have to have. 
  4. The site supervisor is non-existent. When something doesn’t go to plan, who do you speak with? When you want to check or validate the work of the contractor, who do you turn to? As explained above, I’m not a building professional. I rely entirely on the expertise, experience and goodwill of what I thought was Harvey Norman. Our “site supervisor” was only “on site” one day – in three weeks. And then, for a grand total of about 15 minutes. The small changes, accommodations and variations accumulate each day. There’s no supervision and no second opinion on the direction your bathroom is taking.
  5. Start and end dates. There is no end date in your contract, so your contractor can drag your project on as long as it takes. Our contractor would start about 11am and work on and off for a few hours before heading home for a well-earned rest. As to start dates – we weren’t even scheduled to start with the contractor – the paperwork had to be “found” and the work had to be scheduled – but only after a series of phone calls that got us all off to a bad start. What were we thinking? We’d only given them TWO MONTHS NOTICE to start.

Table of Harvey Norman Renovation promises and what they really mean

Promise What it means
“We do everything but the painting” If you can badger the contractor enough to actually do his job, you might have walls that will only need a couple of days sanding before you can paint them.
“We strip out everything and you’ll get a completely new bathroom” We will replace the wall below 1200mm which will be covered with tiles anyway, but above that you’ll still have the same old gyprock you thought you were getting rid of.
“Patch and make good” Actually replacing gyprock and cornices is not part of our deal – even if we have to smash it to fit. We’ll cover it up with a dash of plaster and hope we can make it look at least half as good as it was before we got here.

So – how did it all turn out? I’ll let you know when it is actually finished. In the meantime, I will write up some tips for “getting what was expected from Harvey Norman Renovations” – and even share some of the work in progress pictures.

Note: the image above is from Flickr. It’s not my bathroom.

UPDATE: Kudos to the Harvey Norman social media team who contacted me via LinkedIn. Good to see. Here's hoping that this leads to others having a better renovation experience.

The Social Marketer – Feeling the Social Media Love

There is one big difference between what I would consider “traditional marketing” and “social media marketing”. It’s love. Or perhaps more precisely, it’s passion. Mixed in with a bit of love. And as there are a bunch of posts on the love theme this Valentines Day week, I thought I’d climb aboard the love bus.

Now, if you are a brand marketer, you might love what you are doing, and love what you are creating through your brand, but that’s not the sort of love I am talking about. When you pour your professional creativity into a new product or service and stake your professional reputation on its success, your interest in the brand/offering you are building can consume you. And while this takes a huge personal commitment from you, there is no one else who will love what you are doing quite like you do. I know, and I’ve been there.

And even if you are tweeting from the dark side of the focus group mirror, or blogging on the behind-the-scenes tour, this is not being a “social marketer”. It’s sharing your passion. Sharing your love. Sharing your work. But ultimately, it’s sharing your brand. It is good brand marketing practice.

The social marketer, however, starts from a different place. As Michael Brenner suggests, it’s about feeling the love.

For the social marketer:

  • The brand is a means to an end. The brand exists, the people exist – we don’t need messaging, but a tune to dance to.
  • Marketing is about bringing the brand to the people, not bringing the people to the brand
  • The glare of the logo is a distraction and a barrier to forming relationships. What we need is a name and a face, not a 12pt white space exclusion

Sure, the social marketer cares about (and is probably even MEASURED on) brand awareness, recall and yes – sales. But they are by-products of the main game.

The social marketer is in the process of transforming the way that we all do business. You probably have one in the ranks of your company. There may be more. How do you find them? How do you join them?

I call it “The Social Way”.

There’s more to come.

Brands are the Social Stories We Tell

Prompted by a message from Sean Howard, asking about brand visualisation tools, I revisited a post from 2009. Titled Brands are the Stories We Tell, it looks at a personal profiling tool from MIT that lets you map out the characteristics that describe “you”. While the end sequence is useful from a persona mapping point of view, I particularly like the way that the persona building process is visualised.

Here is what I saw when building out a profile on gavin heaton. Click the image below for the full view. It’s like watching the Google web spiders in action – collating what the web thinks of you.

GH-profile2010

Of course, when you profile a brand or a product, then you also end up with an interesting sequence that describes how and where your brand lives online. But I think it’s most important to watch HOW the profile is built. Here’s why:

  1. The repetition of keywords and their proximity to other keywords will create a centre of gravity for your brand. Ensure that the stories you tell about your brand connect with your desired brand experience keywords
  2. Increasingly, social media content is creating the online context for your brand. This means that your content marketing needs to be strong – make sure that you have well-planned social content that help optimise your story across the social web
  3. Your brand is the stories that other people tell – if there are an overwhelming number of negative stories, it’s going to make your brand a centre of gravity for all the wrong reasons. Get the experience right!
  4. You will see trends and themes in the data. Use these to tactically build your presence in places that there are already conversations taking place. Don’t hijack the conversation. Add to it.
  5. Social content wins … content from blogs and social networking sites outperforms all other content on the web. This means that your brand is the story told by others in a social context.

So what does the web tell you about your brand? Check out the MIT personas tool to find out.

OMO Knows Where You Live – in Brazil

We have been talking about the “smart home” for over a decade – where all your home appliances become devices, transmitting and connecting to each other to create a kind of home intelligence. For example, refrigerators could determine when your supplies are low and automatically place online orders for food and drink.

But what if the products that you buy were “connected” in this way? What if the manufacturers could track you back to your home, transmitting their locations via a hidden GPS?

This is being trialled for an OMO promotion in Brazil. According to Shun Ma, this OMO detergent promotion includes a GPS in a select number of boxes of washing powder. There are 35 teams across the country ready to swoop on your home, tracking down your “beeping box” of washing powder to offer you a prize. But there’s a catch. There will be cameras, photos and reportage. Your location will appear on the Experimento Algo Novo website – so like never before the phrase “we know where you live” could be both a promise and a threat.

And as location based services become more prevalent – and as platforms like Facebook bring geo-location data into your social graph – we will see more debate around the what it means to be "private".

While knowing "where your customers are" appears, on the surface, to be a kind of demographic nirvana, most businesses already have a great deal of customer data that is going unused. For many of us, just building a great product or creating a memorable experience/interaction is difficult enough – I wonder whether this is another layer that pushes an authentic experience further into mediation. In an age of transparency, the enforced intimacy of personal location may well be a step too far – or it could create a whole new mode of connection.

Early experiments with technologies like this always raise questions. It’s a risk – and it can backfire, or prove a huge success. But the last thing anyone wants is to see an OMO moment turn into an OMG moment.

Five Tips to Maintain Social Media Momentum

uniqlo-utweet One of the challenges with social media is that it’s easy to start and it’s easy to stop.

Even the biggest, most resourced brands fall into the trap of running a successful social media campaign – and then nothing.

It stops.

The fan pages go quiet, the blogs stop, the Twitter channels fall into a deafening silence and YouTube dries up.

It’s difficult to maintain momentum.

Or is it?

Here are my five tips to help you maintain your social media momentum:

  1. Mash the trend – use social channels to create content around your brand. Combine social trends, keywords and other content that you have created (say from TVCs) in a unique way
  2. Share the message – don’t try to “control” your brand message or you’ll just end up in trouble. But you can control some of the mechanisms to do with online brand participation. Remember that knowing who drives knowing how – and some social networks outperform others
  3. Calendaring – look at your business plan and map out the announcements, the changes and the opportunities over the coming year. Think about how this can be supported with blog posts, YouTube clips, interviews etc, and then put these into an editorial calendar
  4. Design for participation – don’t look at entertaining people with your clever creativity. Design your social media in a way that encourages participation rather than passive consumption. Rather than just asking a question, post a Twtpoll; rather than asking for feedback, try uservoice to allow people to provide feedback and then VOTE on the answers they like best
  5. Guest post your CEO – you are going to need support, so why not get it from the top. Reach out to your CEO and offer to write up a profile on their recent achievements. Better yet, help them write a guest post for your blog or a video for your YouTube channel. Remember, social media is also about tapping your community for contributions

So, can this really be done? Take a look at this fantastic “movie” from Uniqlo that combines Twitter with video to create your very own customised video/TVC. They employ several of these tips in a way that puts their brand at the centre of a very personal experience. Try it out yourself … oh, and then think about how you could do something similar for your brand.

The Digital Life of Luxury Brands

Seth Godin is often provocative. He challenges us to ask the questions that had slipped out of view but had been bothering us. He reminds us of the facts that we’d rather forget – like the importance of working smarter, not harder. Or wondering what we’d do differently if we charged people for the free stuff that hand out every day.

I’m thinking Rupert Murdoch and the future of newspapers in this instance, but apply the same logic to your brand, your masthead products and services. News Corp has been providing free online access to content for years – and continue to toy with the idea of hiving off their website behind a pay wall. Is this the right thing to do?

In my view, this isn’t the right question to ask.

I think they should do what Seth suggests, and ask themselves that hidden question. What would we have to do differently if we charged for “free”.

But what if we pushed this notion? What if we not only charged a fee, but we charged a LOT? What would we need to do to provide value in a PREMIUM model?

Marci Ikeler and Phil Jackson have put together a great presentation on digital strategy for luxury brands. They provide a great snapshot – 10 ways to engage with luxury consumers online – and all brands can take a piece of this action. I particularly like the “tell a great story”. “be a cultural tastemaker” and “provide a trusted guide …” recommendations. For your brand, take those points and push them. Don’t be all things to all people – be the best. Be the most trusted. Be the authority. Set the agenda. And lead the way for your followers. Sounds simple, right? Well enough talking then, show me what you’ve got.

It’s time we all thought about our brands as the luxuries our customers can’t live without!

Stop and Think

You know what it is like. There are thousands of messages seeking your ever diminishing attention – email, twitter, advertising, friends, family, phone calls – you name it, it wants you. And the demands seem to mount ever higher.

Think about technology and social media. Think about the way the next new thing arrives and sweeps us along. Do you jump early? Do you sign up for the beta program so that you can brag to your friends on Facebook? Or do you wait … see what the early adopters say and determine where to spend your precious attention?

What’s your personal strategy?

To many people, the pursuit of the latest, shiny thing seems ludicrous. You can almost hear them thinking “don’t change what isn’t broke”. But it appears there is more than ego and self interest at play in our ongoing obsession with the new, new thing.

For those who are new to social media (or technology or even any other field of endeavour), coping with the constant change and innovation can be overwhelming. It presents as “noise” rather than signal”. But recent research in the field of cognitive fluency suggests that the very act of submitting ourselves to the unfamiliar has the effect of making the unfamiliar, familiar. Cognitive fluency is a measure of how easy it is for us to think about something. Where there is a “blockage” in our processing, we experience this as a “sense” of disfluency – we have to allocate our scarce cognitive resources to analyse and process the information. It triggers a sensory alarm which urges us to trust less.

The interesting aspect here is that cognitive fluency manifests largely as what we would call “gut instinct”. This means that almost any stimulus, from the shape of a face to the typography of a sign can cause us to intuitively TRUST or DISTRUST what we see/hear/feel.

The impact of truly understanding cognitive fluency (and its opposite) for marketers is profound. If we transfer a sense of “difficulty” to do with wording, typeface, design etc to a product, then this will impact our sense of the brand and its role (or potential) in our lives. Some DISFLUENCY may even be useful for some products or services where you really want people to think through and consider what’s on offer.

The interesting thing is that we can modify and work with cognitive fluency. We can employ marketing and communications techniques to transform the way that people “understand” our products ands services. We can work to change not just behaviour but also response and engagement.

All we need to do is stop and think.